Foiled again
A momentous day in the UK, but life, and thankfully painting will go on.
Visiting a new location is always a pleasure, since exploring and figuring out how to interpret a scene is a big part of the fun. Unfamiliarity with a subject does add to the challenge though, and often it is only after finishing my effort that I think I may have an idea about how to paint it. Then, when staying with a painter friend in the coastal town of Appledore recently there was one additional difficulty – rain.
Appledore harbour at low tide provides some good compositions to choose from, and the one here I just about managed to set up at without sinking into the wet sand/mud. This was the brightest point of my visit – it had stopped raining – but the sun was still caught behind thin cloud most of the time. I perhaps should have used more artistic licence to create stronger counterchange through the scene. For example I painted the buildings in shade, as they were (when the sun came through), but perhaps should have pretended they were sunlit in order to have them white against the darker clouds. It’s all very clever thinking of these things after the event… At the very end the sun properly came out (now a familiar experience this year) and the scene looked a lot better, particularly because of more light reflected from the damp sand… sadly too late for my watercolour!
The second painting features a scene around the headland where some estuary mud flats turn into a saltmarsh river. The composition had promise, but a dramatic distant sky was unfortunately heading right towards us and provided continual rain almost immediately after I painted it. This was the first time I’ve painted most of a picture under an umbrella – well, the first time I’ve had a friend there willing to hold an umbrella! The resulting painting went downhill though. It was difficult to concentrate and I really didn’t simplify the scene well enough. The high humidity is another factor in this situation, and it wasn’t until the next day that the paper really seemed to have dried out. Still, enjoyable nonetheless and the evocative sound of nearby curlews definitely helped.

Hi Jem
this is great to see the viewpoint and your set up along with the lovely painting of a pretty dismal scene in reality. It also helps to see your interpretation and reminds me to paint less literally e.g. the vagueness of the tower and the town. So i’m just off to ‘blur’ my Portsmouth Harbour painting!
The Appledore painting brings back memories of a family visit as a fourteen year old when I was allowed to wander off without parents and just with a friend. We bought chips and sat eating them looking out over the estuary enjoying our freedom and talking to boys 😉
Thanks Viv.
Talking to boys indeed!
Yes, I quite often forget to take a photo of the easel and scene together.
In fact I am forever telling myself to make less literal interpretations of things.
Jem
both paintings are winners-thanks for sharing your outdoor adventures-its not all fun and games but the growth of our art and creativity is execrated.thanks .
Thanks again, George. I didn’t think I’d won especially with the river scene, but if you like it it must have something. Your latter point is very interesting – we aren’t able to appreciate enough the actual growth as it happens; is that what you mean?
Jem, it works just fine. The white boat with the dark structure just behind and the warm distant background pulls my eye. If the buildings on the left were sunlit, they’d compete with this. So, you could reverse the contrast to the left in another painting as you imply, but I like this result. Interesting that the distant mud flats are a warmer color than the foreground but, again, it works for me. I like what you said about the interpretation being part of the fun.
That’s a fair point Mike, thanks. Re. background sand, it was more in, sun than foreground part hence warmth – that was the idea anyway.
Super work despite the conditions Jem don’t be so hard on yourself!
Okay, thanks Stephen!